I was compelled to do a piece about “unity in Christ” and what Christ means, not what “we” assume He means. [The picture] is Christ the Lamb of God who manifested all that “unity” of the redeemed in God the Father and God the Son!
In this Gustave Dore print (I am really taken with his work!), I looked closely at Christ’s face and saw easily within His expression Christ’s “knowing all things” of the heart of Judas (and the like-minded).
Right-click to open larger in new window. Published with permission
I was compelled to say something that spoke encouragement for “the saved to continue on,” even while recognizing and knowing the true character of sin, the taste and its aroma. Our efforts to reach the lost becomes harder each day; the news-media ridicules Christ’s redeemed, and with deceptive words, demands we not speak Gospel Truth. But we must “continue on.” I must keep fresh in my mind that previous centuries of the lost hated Christ, and that this present century of the lost will hate us (even as we the “saved” seek their rescue).
For me, the lone tree speaks of God’s wonderful handiwork, not only representing His gift of nature, but brings to mind that His redeemed are not alone, but safely tucked within His Might eternally. And as the brilliance of the sun pierces boldly through the dark-ending of the storm, one thought leads me to another — remembrance of Christ’s death and resurrection. Then speaks to His beloved redeemed: the “things” of this world are now more clearly seen through the light of His Salvation! We must daily pause to remember…
Kay Cude is a poet whose sensitivity to the glorious salvation of Jesus Christ is uniquely expressed through poetry and picture. Here is her latest offering, in which she explains her thought process. Enjoy.
If you look closely at the tower, you’ll see a tiny figure of someone, which refers to the statement, “As gazed I o’er the valley fair, to there below from tower high.”
That little figure caught my eye, as well as the city lighted up and the storm approaching from the left (approaching spiritual death). So I began to write. The city represents the safety of true salvation in Christ and understanding His Gospel.
The people represent those captured by a “different gospel” suggested as the “real” place of safety. Even though they “know” God’s truth — they are persuaded to run to false teaching and reject Christ.
Christ’s refuge is known to them and still stands in its truth, but when extreme peril approaches, they are convinced by someone’s whim (spiritual deception), to flee to eternal death and separation. Even the donkey digs in his heels against the “unknown” way,” and the dog barks at their sudden rejection.
Their end is eternal separation and eternal living death because they quickly deserted Christ’s truth for a distorted gospel.
Poet Kay Cude said she felt compelled to write this piece after she happened upon the image and then several days later, happened upon a couple of blog essays about Beth Moore and her narcigesis. Narcigesis is defined, for example, at the site Church and Gospel,