Posted in church, contemporary music, encouragement, music, worship

Is Music Worship? Do singers "lead worship"?

By Elizabeth Prata

The selection of music in churches is important and is not based simply on preferences. Do not pooh-pooh the music by marginalizing it to a second tier of concerns and assigning it as simply a “preference.” Music is doctrine, sacred music is unique to the redeemed because it is our response to His redeeming work, and it is either reflective of the culture or it is reflective of the worshipful heart.

Old Harp singers. EPrata photo

First, let’s talk about what music in church is NOT. These are taken from John MacArthur’s sermon “Is Music Worship?” based on the verses at Ephesians 5:18-20.

  • Music is not worship. Music is a means to express worship, but it is not worship.
  • Secondly, a misconception is that music motivates worship, music induces worship. That’s not true either. … [T]he motive for all of our songs is not a sound, it’s a truth.
  • Another misconception is that when people have trouble worshiping, music will create worship, music will create the mood for worship. Worship is not a mood experience.

What true worship IS, is-

a permanent attitude. John 4, “We worship in spirit and truth.” That’s who we are. … The music of the redeemed is different. We live in a different world. We are citizens of a different kingdom. The music of the redeemed is alien to the music of the world. The music of the redeemed is reflective of that which is most lofty, most elevated, most exalted, most noble: the truth of God – it never changes. So our music doesn’t ride the culture. Music doesn’t ride the culture among the redeemed, it simply reveals the truth, and the truth never changes. (Source)

I encourage you to listen to the sermon. The explanation about music and its place in worship among the redeemed is stupendously explained, especially when you arrive at the powerful ending.

Meanwhile, I’d read missionary Gladys Aylward’s autobiography and was struck by something described at the end of the book. The following is my retelling of Aylward’s event.

Unsplash photo, free to use

There is a great story in China Missionary Gladys Aylward’s autobiographical book “The Little Woman.” This occurred in the mid-1930s. She is trying to escape the invading Japanese, because they had put a price on her head. So she walked in a direction no Chinese went, over some mountains where the map was blank. She was with one other missionary. At dusk, seeing no human, no town, no habitation at all, they were debating whether to go back. The man told Aylward to sit on this nearby stump and he would go ahead a bit and see what’s what. Alone, Gladys began to sing hymns.

Soon the man came back and said, no luck. They might freeze out there or if they go back they might be killed. Just then a Lama (Buddhist Monk) came up. He said, come with me, we will take you to our lamastery. No people were EVER invited into a lamastery. But the duo believed it was an ordained appointment. I mean, what were the odds, right? So they went. They were led up the side of the mountain high up to a lamastery carved into the rock. They were greeted happily and warmly and fed and made comfortable.

She asked the head Lama the next day why they had been so cordially welcomed to such a private and mysterious place. Lama said that 7 years ago they brought to town their licorice that they pick and sell. They heard a lone man in the square saying that there is a God who loves them and salvation is free, if they believe- come to this building tonight to hear more. They were astounded that such a doctrine existed. There is a God? He loves? They accepted the tract the man was handing out, simply the verse at John 3:16 and the address, nothing more.

For five years they sought to learn more but were unable. Every time they went to town to sell their licorice they asked everyone about where to find “the God who loves.” No one else could tell them. Then one day a man was there and he did say yes, go to the China Inland Mission over there and they will tell you. A Mission house had been established.

They went to the Mission house and received New Testament Bibles and tracts, which they brought back to the lamastery and read eagerly. They delighted in the notion that there was a “God who loves” but there was much in the book they did not understand. Still, they read, and they came to the verse where Christ had said of his apostles, “Go ye into all the world and preach the Gospel.” And the monks believed that one day a person would come and preach to them them, because it said so in the book.

And three years later when they heard singing, they knew the person had come, because as the Monk said, “Only people who know God will sing.” And the person was Gladys and her companion. They rejoiced, knowing they were about to learn more. So she and the other missionary told all the monks about Jesus and then they left the next day, not knowing if the lamas were saved or became saved, but trusting that some would, sometime.

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I had never thought about it before, but no other major religion really sings. Of course anything other than biblical Christianity is a false religion. You get chants, but no hymns. No singing. On that cold, dusky night, Gladys was recognized by Buddhists because she sang. Our music IS unique and we are eternally identified with it. It is not simply a preference. Toward the end of his sermon, John MacArthur said this:

And by the way, Christians are the only religion that sing. Muslims don’t sing, Buddhists don’t sing, Hindus don’t sing. They don’t sing. Some chant in a minor key; Christians sing. But when the Reformation came, music was reintroduced to the church; and you sing a hymn written by Martin Luther who launched the Reformation: A Mighty Fortress is our God. Five-hundred years after that, we’re still singing that hymn.

We sing because we have been redeemed. We sing a new song, one that the world does not hear. We sing because-

He brought me up out of the pit of destruction, out of the miry clay, and He set my feet upon a rock making my footsteps firm. He put a new song in my mouth, a song of praise to our God; many will see and fear and will trust in the Lord. (Psalm 40:2-3)

Posted in discernment, Uncategorized

Update on Kings Kaleidoscope: Their use of the F-word in the new album

On July 2 I’d mentioned in the occasional Potpourri essay that I post, I’ve been enjoying a Christian band called Kings Kaleidoscope. I’d written,

For those of you, like me, who despair of ever finding current music that’s doctrinal and treats Biblical subjects appropriately, here is a new musical group I can recommend. Kings Kaleidoscope is a faith-based alternative band based in Seattle, Washington. As their Wiki says, they style themselves as a band “sporting a variety of influences from math rock and hip-hop to the dense sound of Canadian indie outfit Broken Social Scene”. They have released 8 EPs since 2011. You can find them on all the usual places such as Facebook, Twitter, Instagram and also Spotify, iTunes, SoundCloud, Pandora, etc. My favorite songs are Grace Alone, and their How Deep cover. The album graphics are terrific, too.

I can’t recommend them any more. In their new album released July 1, they used the F-word several times in their song “A Prayer”.

Their decision to use the most base vulgarity has split their fans, and has sparked debate and arguments from Youtube to Reddit. The immature defend the band’s use of profanity, saying the song in context ‘speaks to them’ and that ‘they can relate.’

However the more biblical fans rejoin that Ephesians 4:29 commands us,

Let no corrupting talk come out of your mouths, but only such as is good for building up, as fits the occasion, that it may give grace to those who hear.

It’s hard to defend the F-word as a word that gives grace. In addition, Matthew 15:18 says,

But what comes out of the mouth proceeds from the heart, and this defiles a person.

Who can stand to listen to profanity of this sort in the same song that lauds Jesus? Who can sing along to such a song? Who wants to expose the younger children in the car or in the room who will hear it? Who would ever want to sing this song in church or at a church-oriented event? Why do they think this is OK?

In researching the band for the previous blog essay, I had seen that the band was formed in 2010 by singer/songwriter Chad Gardner, in a Mars Hill Church plant on the campus of the University of Washington, where Gardner was a worship leader. Uh-oh. Bells went off but I’d hoped for the best. Their music up to now has been stunning and doctrinal.

However, the Young, Restless, Reformed movement shepherded by immature hipster bad boy pastors has had a devastating influence on not just the congregations within its walls, but all modes of church culture, and the generations that have come after. Music has suffered, too. It’s a shame that Kings Kaleidoscope made the decision that they did. One would not expect to see the following warning on a Christian band’s page:

Here is an article about it:

The Use of the “F” Word Has Raised Concerns Over Kings Kaleidoscope’s New Album

We just want purity, holiness, and something, anything, to enjoy that’s undefiled in this polluted world. Kings Kaleidoscope, you disappoint.

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Further Reading

Beer, Bohemianism, and True Christian Liberty

‘Gimmicks over gospel’: Group draws flak for using tattoos, booze to raise funds for planting new church

Perry Noble and Highway to Hell