Posted in hymns, theology

The Hymn that Spawned a Book

By Elizabeth Prata

Hymns are important doctrinal mechanisms to get truth into our brain, and therefore transform it. Remember, the mind in Christ is constantly transforming. As we progress in sanctification, the mind thinks different thoughts, seeks new desires, and is content with different things than when it was aligned with the world. God’s truth constantly renews our mind, so, we need to absorb God’s truth in order to provide that springboard for the transformation. Sermons of course are one was this is accomplished. Hymns with good doctrine are another.

And do not be conformed to this world, but be transformed by the renewing of your mind, so that you may prove what the will of God is, that which is good and acceptable and perfect. (Romans 12:2).

For WHO HAS KNOWN THE MIND OF THE LORD, THAT HE WILL INSTRUCT HIM? But we have the mind of Christ. (1 Corinthians 2:16)

Below is an interview from 2010 regarding Sinclair Ferguson’s inspiration for his then-new book By Grace Alone, based on the hymn O How His Grace Amazes Me. When Ferguson heard it, it gripped his imagination.

 

Pastor Conrad Mbewe wrote about the hymn and its author, pastor Emmanuel T. Sibomana, an African Baptist pastor in Burundi. (1915-1975). Mbewe wrote-

I think that Oh, how the grace of God amazes me should rank among such hymns as Amazing grace by John Newton. To begin with, it is an experiential hymn. It speaks about our experience of the grace of God. Anyone who “has been there” will immediately identify with it. Something in your soul resonates with the lyrics as you sing the hymn. It is not the senseless excitement of those who are drunk with wine, but an informed warmth of heart because of a godly reflection on what God has done for you in Christ. And by the time you get to the last stanza, you really want the whole of creation to join you in singing your divine Saviour’s eternal praise.

Sinclair said that he had begun a project with the church organist to play through and intently listen to all the hymns in the hymn book at their church. They did this over successive nights. When they came to O How His Grace Amazes Me, Ferguson was struck by the power of the hymn and its progression into all the important doctrines, and unusually, on grace.

The hymn caused him to ponder these things for a good while, until finally breaking forth into the book he decided to write.

When Sinclair is asked if the world needed yet another book on grace, he said the world should be filled with books on grace. Amen! I love the doctrine of grace. I pray that the music at your services cause you to truly reflect on the great doctrines and the awesome attributes of God.

Here is Emmanuel Sibomana’s hymn O How His Grace Amazes Me:

Modern arrangement, 4-min: https://www.youtube.com/watch?v=s963Kq4sbtk

Traditional arrangement with organ, 7-min- https://www.youtube.com/watch?v=sAsCo_RsHJg

Posted in church, contemporary music, encouragement, music, worship

Is Music Worship? Do singers "lead worship"?

By Elizabeth Prata

The selection of music in churches is important and is not based simply on preferences. Do not pooh-pooh the music by marginalizing it to a second tier of concerns and assigning it as simply a “preference.” Music is doctrine, sacred music is unique to the redeemed because it is our response to His redeeming work, and it is either reflective of the culture or it is reflective of the worshipful heart.

Old Harp singers. EPrata photo

First, let’s talk about what music in church is NOT. These are taken from John MacArthur’s sermon “Is Music Worship?” based on the verses at Ephesians 5:18-20.

  • Music is not worship. Music is a means to express worship, but it is not worship.
  • Secondly, a misconception is that music motivates worship, music induces worship. That’s not true either. … [T]he motive for all of our songs is not a sound, it’s a truth.
  • Another misconception is that when people have trouble worshiping, music will create worship, music will create the mood for worship. Worship is not a mood experience.

What true worship IS, is-

a permanent attitude. John 4, “We worship in spirit and truth.” That’s who we are. … The music of the redeemed is different. We live in a different world. We are citizens of a different kingdom. The music of the redeemed is alien to the music of the world. The music of the redeemed is reflective of that which is most lofty, most elevated, most exalted, most noble: the truth of God – it never changes. So our music doesn’t ride the culture. Music doesn’t ride the culture among the redeemed, it simply reveals the truth, and the truth never changes. (Source)

I encourage you to listen to the sermon. The explanation about music and its place in worship among the redeemed is stupendously explained, especially when you arrive at the powerful ending.

Meanwhile, I’d read missionary Gladys Aylward’s autobiography and was struck by something described at the end of the book. The following is my retelling of Aylward’s event.

Unsplash photo, free to use

There is a great story in China Missionary Gladys Aylward’s autobiographical book “The Little Woman.” This occurred in the mid-1930s. She is trying to escape the invading Japanese, because they had put a price on her head. So she walked in a direction no Chinese went, over some mountains where the map was blank. She was with one other missionary. At dusk, seeing no human, no town, no habitation at all, they were debating whether to go back. The man told Aylward to sit on this nearby stump and he would go ahead a bit and see what’s what. Alone, Gladys began to sing hymns.

Soon the man came back and said, no luck. They might freeze out there or if they go back they might be killed. Just then a Lama (Buddhist Monk) came up. He said, come with me, we will take you to our lamastery. No people were EVER invited into a lamastery. But the duo believed it was an ordained appointment. I mean, what were the odds, right? So they went. They were led up the side of the mountain high up to a lamastery carved into the rock. They were greeted happily and warmly and fed and made comfortable.

She asked the head Lama the next day why they had been so cordially welcomed to such a private and mysterious place. Lama said that 7 years ago they brought to town their licorice that they pick and sell. They heard a lone man in the square saying that there is a God who loves them and salvation is free, if they believe- come to this building tonight to hear more. They were astounded that such a doctrine existed. There is a God? He loves? They accepted the tract the man was handing out, simply the verse at John 3:16 and the address, nothing more.

For five years they sought to learn more but were unable. Every time they went to town to sell their licorice they asked everyone about where to find “the God who loves.” No one else could tell them. Then one day a man was there and he did say yes, go to the China Inland Mission over there and they will tell you. A Mission house had been established.

They went to the Mission house and received New Testament Bibles and tracts, which they brought back to the lamastery and read eagerly. They delighted in the notion that there was a “God who loves” but there was much in the book they did not understand. Still, they read, and they came to the verse where Christ had said of his apostles, “Go ye into all the world and preach the Gospel.” And the monks believed that one day a person would come and preach to them them, because it said so in the book.

And three years later when they heard singing, they knew the person had come, because as the Monk said, “Only people who know God will sing.” And the person was Gladys and her companion. They rejoiced, knowing they were about to learn more. So she and the other missionary told all the monks about Jesus and then they left the next day, not knowing if the lamas were saved or became saved, but trusting that some would, sometime.

~~~~~~~~~~~~~~~~~~~~~~

I had never thought about it before, but no other major religion really sings. Of course anything other than biblical Christianity is a false religion. You get chants, but no hymns. No singing. On that cold, dusky night, Gladys was recognized by Buddhists because she sang. Our music IS unique and we are eternally identified with it. It is not simply a preference. Toward the end of his sermon, John MacArthur said this:

And by the way, Christians are the only religion that sing. Muslims don’t sing, Buddhists don’t sing, Hindus don’t sing. They don’t sing. Some chant in a minor key; Christians sing. But when the Reformation came, music was reintroduced to the church; and you sing a hymn written by Martin Luther who launched the Reformation: A Mighty Fortress is our God. Five-hundred years after that, we’re still singing that hymn.

We sing because we have been redeemed. We sing a new song, one that the world does not hear. We sing because-

He brought me up out of the pit of destruction, out of the miry clay, and He set my feet upon a rock making my footsteps firm. He put a new song in my mouth, a song of praise to our God; many will see and fear and will trust in the Lord. (Psalm 40:2-3)

Posted in hymn, theology

O for a thousand tongues

On this Lord’s Day in hopes that this sweet hymns of praise might refresh your soul, I offer this song of praise to our Redeemer. I pray you have opportunity to attend a loving and doctrinal church, meet with the saints and love the Lord through hearing His word, prayer, song, and fellowship.

O for a Thousand Tongues to Sing

Written in 1739 by Charles Wesley. Based on Psalm 35:28. Information from Wikipedia

“O for a Thousand Tongues to Sing” is a Christian hymn written by Charles Wesley. Charles Wesley wrote over 6,000 hymns, many of which were subsequently reprinted, frequently with alterations, in hymnals, particularly those of Methodist churches.

Charles Wesley was suffering a bout of pleurisy in May, 1738, while he and his brother were studying under the Moravian scholar Peter Boehler in London. At the time, Wesley was plagued by extreme doubts about his faith. Taken to bed with the sickness, on May 21 Wesley was attended by a group of Christians who offered him testimony and basic care, and he was deeply affected by this. He read from his Bible and found himself deeply affected by the words, and at peace with God. Shortly his strength began to return. He wrote of this experience in his journal, and counted it as a renewal of his faith; when his brother John had a similar experience on the May 24, the two men met and sang a hymn Charles had written in praise of his renewal.

One year from the experience, Wesley was taken with the urge to write another hymn, this one in commemoration of his renewal of faith. This hymn took the form of an 18-stanza poem, beginning with the opening lines ‘Glory to God, and praise, and love,/Be ever, ever given’ and was published in 1740 and entitled ‘For the anniversary day of one’s conversion’. The seventh verse, which begins, ‘O for a thousand tongues to sing’, and which now is invariably the first verse of a shorter hymn, recalls Böhler’s words, ‘Had I a thousand tongues I would praise Him with them all’. The hymn was placed first in John Wesley’s A Collection of Hymns for the People Called Methodists published in 1780. It appeared in every (Wesleyan) Methodist hymnal from that time until the publication of Hymns and Psalms in 1983.

Congregational singing (Shepherds’ Conference)
Grace Community Church – Sun Valley, California

O for a thousand tongues to sing
My great Redeemer’s praise,
The glories of my God and King,
The triumphs of His grace.
2
My gracious Master and my God,
Assist me to proclaim,
To spread through all the earth abroad,
The honors of Thy name.
3
Jesus! the name that charms our fears,
That bids our sorrows cease;
’Tis music in the sinner’s ears,
’Tis life, and health, and peace.
4
His love my heart has captive made,
His captive would I be,
For He was bound, and scourged and died,
My captive soul to free.
5
He breaks the power of canceled sin,
He sets the prisoner free;
His blood can make the foulest clean;
His blood availed for me.
6
So now Thy blessed Name I love,
Thy will would e’er be mine.
Had I a thousand hearts to give,
My Lord, they all were Thine!

Posted in encouragement, Uncategorized

“Of the Incomparable Treasure of the Holy Scriptures”

Firmly ensconced in English Hymnody, no one is quite sure where this gem came from. First seen as a poem in a Scottish Bible in 1594, and published intermittently as a stand alone poem, a hymn, or a text-feature in various Bibles, this piece extols the virtue of our ‘incomparable treasure’ of the Holy Bible. In the 1846 book titled Wanderings of a Pilgrim in the Shadow of Mont Blanc by George Barrell Cheever, the author tells us that the poem appeared in nearly all the copies of the Geneva editions of the translations of the Bible, which was made during the reign of Queen Mary by those illustrious exiles John Knox, Miles Coverdale, Anthony Gilby, Christopher Gilman, and others.

Though its origins may be a mystery, its point is made beautifully clear in moving verse.

Enjoy!

Here is the spring where waters flow,
To quench our heat of sin;
Here is the tree where truth doth grow
To lead our lives therein;

Here is the judge that stints the strife
When men’s devises fail:
Here is the bread that feeds the life
Which death cannot assail.

The tidings of salvation dear
Comes to our ears from hence;
The fortress of our faith is here;
The shield of our defence.

Then be not like the hog that hath
A pearl at his desire,
And takes more pleasure in the trough
And wallowing in the mire.

Read not this book in any case
But with a single eye:
Read not, but first desire GOD’s grace,
To understand thereby.

Pray still in faith with this respect
To fructify therein;
That knowledge may bring this effect,
To mortify thy sin.

Then happy thou in all thy life,
Whatso to thee befalls;
Yea, doubly happy shalt thou be
When GOD by death thee calls.

water
Our Lord’s word is a never-ending, refreshing, bountiful stream of water

Posted in encouragement, Uncategorized

His Mercy is More

Our music leader introduced a new-to-us song this past Sunday. This is a new-ish contemporary hymn written by Matt Papa and Matt Boswell. I loved it. I am not a fan of new music, not because it is new, but because it is theologically light, theologically aberrant, or too hard to sing congregationally. The Boswell/Papa duo write songs that are the opposite of those negatives. This is one of the good new songs.

I positively like this song. I commend it to you.

Have a merciful day!

Live recording of “His Mercy is More”, a powerful new congregational worship song by Matt Boswell and Matt Papa. Filmed and recorded live at Providence Church in Frisco, Texas with worship leader Matt Boswell and Boyce College Choir.

 

 

VERSE 1
What love could remember no wrongs we have done
Omniscient, all knowing, He counts not their sum
Thrown into a sea without bottom or shore
Our sins they are many, His mercy is more

VERSE 2
What patience would wait as we constantly roam
What Father, so tender, is calling us home
He welcomes the weakest, the vilest, the poor
Our sins they are many, His mercy is more

VERSE 3
What riches of kindness he lavished on us
His blood was the payment, His life was the cost
We stood ‘neath a debt we could never afford
Our sins they are many, His mercy is more

CHORUS
Praise the Lord
His mercy is more
Stronger than darkness, new every morn
Our sins they are many, His mercy is more