Posted in contemporary music, discernment, praise band, rend collective experiment, worship

A review of new contemporary music band: Rend Collective Experiment

Does the kind of music we worship in church matter? Yes, it does.

In researching the state of the contemporary music bands for a blog essay I wrote a month ago, I came across a winsome new band from Northern Ireland called Rend Collective Experiment. Actually, they remind me of In Tua Nua (kudos if you know who they were ;). Rend Collective Experiment (RCE) deliberately used the word rend purposely to point to God who rent the heavens and sent His Son. The word collective is used to emphasize, well, I’ll let the band member explain,

We are a collective of people like a family and not just a band. We want our music to be what we call Organic worship, an honest and natural connection with God, something which is authentic and not artificial. We want to create an environment for people to have genuine encounters with Him and to find themselves singing to Him in ways that they find real.” (source)

So. Whatever that means.

I watched a video in which I enjoyed the song, but for the wrong reasons. This is an example of how and why contemporary praise bands, with all clean eagerness and winsome smiles can be detrimental to the faith.

RCE video “Come On (My Soul)”. She’s looking up.

The song I’d listened to is called “Come on (My Soul).” It is a three-minute song. I enjoyed the video, it was very well done cinematically and stylistically. Attractive youths in a variety of funky garb, nose earrings, and cool haircuts dance around an evening bonfire. Embers fly to the sky. A man displays skill using a flame thrower. The youths dance on the sand around the fire, and they make Chinese Sky Lanterns and light them and launch them aloft as they look up in wonder and ecstatic joy. They twirl. They look sincere. They are having a unique, organic worship experience.

The first thirty seconds are a simple hypnotic percussion beat. Then the singing kicks in. Here are the lyrics. They are sung repetitiously.

Come on my soul
Come on my soul
Let down the walls
And sing my soul
Come on, come on, come on, come on
It’s time to look up

That’s it, there is no more. I searched several other sites to try and find lyrics that would expand the song and give it spiritual meaning and depth, but these are the only words for two-and-a-half minutes. The song is repetitive, hypnotic, and throbbing. It is exactly the kind of music used to enter an altered state, not to prepare the heart for worship. I’m the first to admit that it sounds good and it looks good. But it’s empty!

Cool pagan balloons going aloft!!

 As for the content of the lyrics, they are sung about one’s self, to one’s self, urging one’s self to do something (nebulously). It is not about Jesus and does not prepare the mind to think of Him. This is the kind of music I am talking about in a previous blog I wrote a month ago exploring this issue of vacuousness of today’s contemporary music in general.

I’ve mentioned the form and the content. Let’s look at the images. There is nothing wrong with standing around a bonfire singing. Kumbaya is almost a cliche nowadays, the quintessential campfire song. However look at what the youths are doing. They are lighting sky lanterns, a pagan activity done at pagan festivals. The people look aloft just as the lyrics are sung that ‘it’s time to look up’. Are we looking up to see if Jesus is returning? Or to send prayers to a false god on a pagan lantern? That is precisely the problem with “organic” & “authentic” worship. Everyone does what is right in their own eyes. They do what feels good for them. The scene has no meaning because it could be anything.

Because, what’s a praise song
without a flame thrower?

During the Yi Peng festival, a multitude of lanterns are launched into the air where they resemble large flocks of giant fluorescent jellyfish gracefully floating by through the sky. The most elaborate Yi Peng celebrations can be seen in Chiang Mai, the ancient capital of the former Lanna kingdom. The festival is meant as a time to obtain Buddhist merit.” (source)

The activity seen in a “Christian” band’s video is pagan, and is no different than the Asherah pole Ahab set up which they all danced around. The LORD’S anger was roused at this. (1 Kings 16:33).

Worship is not organic. It has rules and a structure. In the OT Nadab and Abihu discovered the penalty for breaking those rules was instant death. So did Uzzah. So did Korah. In the NT Ananias and Sapphira lied to the Holy Spirit and also died instantly. The Corinthians were rebuked for their “organic” worship, which all too easily turned into a drunken fest similar in behavior to what the pagans were doing, and this is always to the derision of God’s enemies (Exodus 32:25).

The spiritual seeker wants to be free and worship naturally but natural worship always winds up like the dance around the Golden Calf (or a pagan bonfire with Buddhist prayer balloons). God sent a plague to the people who had made the calf (Exodus 32:35) and further promised to visit their sins upon them in the Day of His visit. Some of the Corinthians who had abused the Lord’s table with drunken, gorging behavior had become sick because of it and died. (1 Corinthians 11:30). The Lord is serious about His worship!

As in everything regarding Jesus, in music, watch the small things. Also watch the language. The ethereal language RCE uses is another example of poor worship. God is declarative. He is clear. He is definite. In spiritual realms, there is pressure to offer vague ideals, so that no one will be turned off and all can come and participate. Inclusivity is tantamount, not exclusivity. This is from the RCE song “Second Chance

When sin and ugliness
Collide with redemption’s kiss
Beauty awakens by romance

It sounds good and it can mean whatever you want it to mean. That’s fine, for politics. But not for worship. And romance? People, Jesus is not our boyfriend.

Or this from Shining Star,

The angels watched in mystery
As You bore all our misery

NO! He bore all our SIN. Spell it, S. I. N. Sin sin sin.

In fact, there is no ‘second chance’ that the cross brought. It is the only chance. We are depraved individuals and our default condition from birth is sinner, and at age of accountability, hell upon our death. The cross brought the only chance. And ‘redemption’s kiss’? More like God’s wrath that Jesus feared so greatly He sweat blood.

And this lyric from Christ Has Set Me Free, is just ridiculously stupid:

Christ has set me free From negativity …
You’ve given my soul the space to breathe, 
And discover what it is to simply be.”

Did Joel Osteen write that lyric? Imagine your pastor saying that.Uttering words like that and thinking they are worshipful is just wrong. NO, Christ did not set me free from negativity. He absorbed all of God’s wrath on the cross as the punishment for my and the world’s sin.

If you are a parent looking into who your kids are listening to, look at the band’s videos and see if the images being presented are appropriate. And the lyrics, are the lyrics about self, or about God? Is there a lot of talk about what “I” will do? Is the band’s bio full of post-modern, vague talk, like this from Rend Collective’s Bio?

Their heart is to bring not only a fresh approach to congregational worship, but also a heart and message through the spoken word. Their partnerships and tours with church leaders like Francis Chan, Louie Giglio and Shane Claiborne certainly shows this.”

Any time you hear of a “fresh approach” watch out. If God is the same yesterday today and forever, so is His approach. And since the Word is living and active, He is still fresh. He is not stale. There is no expiration date on Him.

An inherent desire for something spiritually substantive in our increasingly artificial world is exactly what brought the movement of friends together. United by a common purpose, these twenty-somethings began exploring the intersection between God, life and community.”

I still can’t figure out their purpose. That is an indicator also. “Something spiritually substantive” sounds good but is just vague enough not to offend.

I don’t mean to pick on RCE band. Some of their lyrics are good. Some of their songs are good. I liked their song Alabaster. Keep Me Near is also good. As church worship music though, no. Absolutely not. And just because some of their songs are good doesn’t mean that all their songs are. But they are packaged on a CD and if your child is listening to Alabaster then they are listening to Second Chance.

Here is the point of what I’m saying–

1. Don’t underestimate the powerful effect of how today’s praise band lyrics dilute the essential doctrines. Propositional and definite words we’ve used for centuries are substituted for nebulous words, used to a softening effect. Words like sin are deleted for negativity, wrath is deleted for redemption’s kiss, submission is deleted for romance, guide our hearts is included instead of the concept ‘make us holy‘.
2. Don’t underestimate the power of the absence of the essential doctrines. I looked at lyrics of 15 songs and never read the word holy. Not even in “You Bled.”

If Rend Collective Experiment is not in your church yet during ‘worship time’ (AKA contemporary praise music time AKA Organic and authentic worship, unlike the artificial and fake worship everybody else has been doing) then they probably will be soon. It is a sure bet they are on your teenager’s iPod. They’re touring heavily Jan-March 2014 though the central US and south. They are appearing at Billy Graham Training Center at the Cove in May.

Wikipedia commons

Too many contemporary music bands are like shark’s teeth. “Shark teeth are attached to the jaw by soft tissue, and they fall out all the time. This is crucial to the shark’s effectiveness — worn or broken teeth are continually replaced by new, sharper teeth. In some sharks, such as the great white, these teeth are arranged in several rows.” For every Petra that disbands, another one like RCE is pushed forward into the spotlight.

Yes it’s tiring to always monitor your child’s iPod, iPad, computer, CD collection, friends, and social life. “Fathers, do not provoke your children to anger, but bring them up in the discipline and instruction of the Lord.”(Ephesians 6:4). Training up your child in the way they should go is a moment-by-moment, daily, lifetime commitment. (Proverbs 22:6). Keep alert with all perseverance! (Ephesians 6:18).

Posted in contemporary music, praise band

Does it really matter what kind of worship music is played in church services?

But now bring me a musician.” And when the musician played, the hand of the LORD came upon him.” (2 Kings 3:15)

To answer the question I’d posed in the title right away, yes, it matters. Here is why, from the bible.

Bibleatlas.org

In the scene above in 2 Kings 3, after Ahab King of Israel died, Ahab’s son Jehoram took over. At that time, Moab decided to cease their tribute to Israel. Mesha, King of Moab was a sheep breeder, and he was bound “to deliver to the king of Israel 100,000 lambs and the wool of 100,000 rams.” (2 Kings 3:4). This was a heavy burden so one day Mesha King of Moab decided to stop paying it. This could not stand, so Jehoram of Israel formed a coalition with two kings, Jehoshaphat king of Judah, and the King of Edom. The three kings set off south toward the Dead Sea to circle around and attack Moab.

The area at the bottom of the Dead Sea is arid and desolate. The advancing army ran out of water. No spring was found in the area either. (2 Kings 3:9). It is a serious matter for three armies on the march to run out of water, and they were only halfway there. They were about to circle north, march through Edom and set upon Moab. They had to be refreshed. What to do?

King Jehoshaphat of Judah asked if there was a prophet among them to which they could go and inquire of the LORD. (2 Kings 3:11). There was, Elisha.

As the kings approached Elisha and posed their petition, Elisha called for a musician. That was the verse I opened with. You can see from the context, that the situation is dire, they Kings needed to commune with the LORD and receive direction. Elisha was the prophetic intermediary at the time, and the scene was one of entering into prayer and supplication to the LORD. It was a worshipful situation.

So why was Elisha’s immediate response to call for a musician? Was he going to party? Did he want to ‘rock the house’? Did he feel like performing a jig? Was he not taking the situation seriously? As a matter of fact, Elisha was taking it extremely seriously, that was why he called for a musician.

“But now bring me a musician.” And when the musician played, the hand of the LORD came upon him.” (2 Kings 3:15)

Pulpit Commentary says of this verse,
But now bring me a minstrel. A player on the harp seems to be intended. Music was cultivated in the schools of the prophets (1 Samuel 10:5; 1 Chronicles 25:1-3), and was employed to soothe and quiet the soul, to help it to forget things earthly and external, and bring it into that ecstatic condition in which it was most open to the reception of Divine influences.”

Ah! Music was the precursor to prayer and petition and thanks and praise! Music was used as a vehicle to alter a physical, emotional, and biological state; and to prepare the heart and mind for close communion with God.

David and the chiefs of the service also set apart for the service the sons of Asaph, and of Heman, and of Jeduthun, who prophesied with lyres, with harps, and with cymbals. ” (1 Chronicles 25:1).

They prophesied with Lyre.

King David composing the Psalms.
From Folio 30V of The Vespasian Psalter, English c750
Public domain image

After that you will go to Gibeah of God, where there is a Philistine outpost. As you approach the town, you will meet a procession of prophets coming down from the high place with lyres, timbrels, pipes and harps being played before them, and they will be prophesying.” (1 Samuel 10:5)

They prophesied with instruments.

Jamieson-Fausset-Brown Bible Commentary says, “bring me a minstrel—The effect of music in soothing the mind is much regarded in the East; and it appears that the ancient prophets, before entering their work, commonly resorted to it, as a preparative, by praise and prayer, to their receiving the prophetic afflatus.

We are not prophets today, seeking a direct revelation from the Lord (I hope) but when we enter the church sanctuary, we are there to inquire of the Lord via preaching of the Word, there to praise Him, and to offer our thanks to Him. It is an important moment in our worship. Even though we are not prophets as Elisha was, we are still humans, with the same variety of emotions we experience at any given moment, and the same proclivities which prevent us from a proper attitude of receptivity. Music is acknowledged as a method for altering our mental state and bringing us into receptivity. The kind of music therefore played brings us into which kind of receptivity- Divine or demonic.

As Dr John MacArthur explained in his Q&A “Contemporary Worship, Civil War in the Church
“I think you have to be very careful with music, musical form that is inseparably linked to the base expressions of the culture. I just don’t think you go there and bring honor to the Lord with that. You say, “Well the words sanctify the music.” I don’t think so. The music is the power in the expression, that’s why it’s musical. And I think you have to be very careful using that which is associated with sex and drugs and the baser things as a vehicle to convey the lofty sacred holy serious realities about God and the glory of Christ.”

Rend Collective Experiment,
a ‘worship’ band from N. Ireland.

As we press our position that the type of worship music matters, we are far from old fuddy-duddies who are out of touch with the ‘new’ styles. Music is linked to base expressions, our baser instincts, and can bring about an interior attitude that either reflects holiness or accepts carnality.

Let’s look at the comment Pulpit Commentary again. If music was used throughout the Old Testament in prophetic and worship situations in order to bring it into that ecstatic condition in which it was most open to the reception of Divine influences, then does one not believe that satan also brings us into that ecstatic condition in which it was most open to the reception of demonic influences? Music has the power to prepare us to receive Him, it also has the power to prepare us to receive the beast, also. That’s what Dr MacArthur was referring to when he mentioned the base expressions.

Satan is a liar and a beast. He seeks to thwart every move of God in every arena possible. Corporate worship is a high target for him to disrupt. We have seen even in the last five short years, the decline of preaching, the collapse of biblical discernment among the sheep, the rise of false teachers and doctrines and the worldwide desire for tickled ears. Of course satan will use music in order to confuse the heart and make it receptive to his demon-influence. Do we think that we are appropriately prepared for respectful worship after this?

Passion 2013: We Rocked the Dome

Is that the job of preparatory worship music, to ‘rock it out’? Is this what Elisha did as he prepared his heart to go before the LORD? Hardly.

still from video of Elevation Church, Charlotte, NC
Code Orange Christmas dance

The war on music is not one of tastes. There is terrific modern music which uplifts Jesus as much as music from past centuries. The issue isn’t which instruments should be allowed on the stage, either. Drums, piano, guitars, trumpets, as long as the music the instruments are playing uplifts Jesus … AND adequately creates an atmosphere where the hearts of people can be soothed and prepared for communion with Him. I’m not saying music has to be quiet, as long as the worship team, choir, or praise band has mindfully prepared it to play for the people to create an atmosphere of reverence.

Be aware of music’s influence. Just as it lifts your spirits in the car when your favorite song comes on, so it lifts or depresses your spirits at church. Music opens you to the Divine or the demonic. Music pleases or displeases the Lord.

Music prepares the listener for receiving satan, or receiving God. He hates the former (Amos 5:21-23) and loves the latter. (2 Chronicles 5:13)

Which do you listen to? Which does your child listen to? Which does your church play? Yes, it matters what kind of worship music is played in church services.

And when the musician played, the hand of the LORD came upon him.